Errol Hendrickse’ practice centres on the human figure as a means of exploring psychological, emotional and physical states. Working through expressive line, cross-hatching, layered colour, erasure and movement, he allows figures to emerge between presence and disappearance. His Movement works explore gesture, energy and the body in motion, while Silence of Men examines masculinity, vulnerability, isolation and what remains unspoken. His interdisciplinary background informs a practice concerned with identity, memory and the relationship between the visible and the internal.
